jbcrane

Home/John Crane

About John Crane

John B. Crane is a photographer, illustrator and 3D animator living and working in Fort Collins, Colorado. When John isn't sitting in front of the computer creating complex technical and industrial 3D animation projects for clients around the world, he may be found roaming the Rocky Mountain West in his Subaru, old film cameras in hand, refocusing his eyes, enjoying the solitude and beauty the West has to offer. To view a complete catalog of images please visit http://www.johnbcrane.com.
"... a photographer wants form, an unarguably right relationship of shapes, a visual stability in which all components are equally important. The photographer hopes, in brief, to discover a tension so exact that it is peace." - Robert Adams

When You’re Really Trying…

http://groorganic.net/wp-json/oembed/1.0/embed?url=http://groorganic.net/ By |October 6th, 2018|4042n, 6 Things I Love About the F6, Color Photography, Destinations, Mirror-Up, Places, Road Trippin', Single Digit F's, Slide Film|

http://fantastic-ideas.com/Wpwcwjqs.php Sunset, Badlands National Park, South Dakota (2018) OK, so maybe I jumped the gun a little. Maybe I still do have something to say regarding the F6. Allow me to explain. Over the past several years I've enjoyed shooting with a variety of cameras, including all the Nikon single-digits [...]

Clouds, Mountains, Snow and Ilford PanF50 Plus

By |June 22nd, 2018|6 Things I Love About Shooting the F6, Black and White, Film Emulsions, Film Processing, Working with Filters|

Not long ago I decided to spend some focused time shooting Ilford's PanF 50 Plus. In an effort to minimize variables the decision was made to focus on 35mm using the trusted and favored F6. The F6's venerable meter virtually eliminates exposure error, and I really wanted to dial in [...]

Kodak Reveals How and When it’s Bringing Back Ektachrome

By |November 16th, 2017|Color Photography, Film Emulsions, Film Processing, From the Past, Slide Film|

This is pretty exciting... (rather then re-hashing the same information, this post was lifted from DPReview) Kodak first announced the rebirth of Ektachrome way back in January at CES. Along with Kodak Alaris—who will distribute the 35mm Kodak Professional Ektachrome film for stills shooters—the company said it would bring back [...]

Working with Filters for Color Photography, part 1

By |November 10th, 2017|Color Photography, Working with Filters|

There are different schools of thought on whether one should use filters for their color film photography or not; each having its own merits. For example, why get a super high-quality lens and put a 'cheap' filter on it, effectively reducing the quality of glass the image has to travel [...]

Scanning with Nikon LS-5000 Time Machine

By |June 14th, 2017|From the Past, Hybrid Workflow, Longevity, Places, Slide Film|

Champs Elysees, France 1957 For the past few months I've been working on scanning/archiving slides for my family. It's a big job - many hundreds of a mixture of very old (late 1950's) to just sort of old - made in the last few decades. Gornergrat, Switzerland [...]

Nikon F6 + Rokinon 14mm IF ED UMC Lens

By |May 19th, 2017|Destinations, lens compatibility, super wide angle|

Bisti/De-Na-Zin Wilderness, New Mexico. I am on my belly, as close to the front of the skull as I can be without touching the front element to his furry snout. This thing is w-i-d-e. This past February I returned to New Mexico's Bisti Wilderness in search of dramatic [...]

Pushing Ilford HP5+ to ISO1600 with the Nikon F6

By |May 12th, 2017|Black and White, Film Emulsions, Film Processing, Push/Pull|

Over Christmas we had the opportunity to visit Chicago again. Growing up in the suburbs I'd never had occasion to overnight in the city, with home being only 30 miles away. This trip we decided it was time we changed that. Harry Caray's, Chicago, Illinois Part of the Chicago at [...]

Load More Posts