One of the key attributes of the F6 is the circuitry contained to run the Nikon Creative Lighting System, or CLS. While common among digital cameras, no other Nikon film SLR contains this ability. If you're not using your F6 + CLS you're missing out on one of the wonderful features that make the F6 unique.
I first visited the northern region of the Escalante Staircase area years ago after reading an article on the Burr Trail -but that’s another story. More recently (back in 2007) I hit it from the south, having come up one night from Flagstaff and checked into a hotel in Page, Arizona just off Hwy 89. There was a large canvas hanging on the wall of the lobby and I asked the woman behind the desk where it was from. “Just up the road,” she said, “about 20 miles. It’s not marked or anything, you just pull over the start walking.” So that next day we did just that and what do you know – we found it.
This past trip to Page we thought we’d try to find it again. One late afternoon we set out armed with just a memory and full […]
A few weeks ago I did something I’ve been meaning to do for years: began developing my own black and white film again. After a 30+ year hiatus, the time had finally come.
Up until last year I’d been fortunate enough to have one of the best pro film labs in the country only minutes away. I’d always told myself when they shut down, I’d begin. Due to a variety of unfortunate circumstances that time came last year, but I held on, continuing to search for a suitable alternative for the next several months. A few weeks ago I finally said Uncle and put in an order to B&H.
I suppose there are reasons that seem suitable at the time why we do things like wait… and it’s easy to second guess decisions in hind-site. But I’ll say this: I wish I’d done […]
Sometimes returning to your roots is a good thing. When we lived in Santa Fe from the mid 90’s ’til 2000 I was in a different phase of photography. In recent years I’ve enjoyed returning to this beautiful country with a better understanding of light – and how to coax more out of a frame of film with subtle adjustments here and there. Below are a few recent images from our last visit to Santa Fe, the F6 loaded with Velvia. The meter in the F6 is a perfect companion to the narrow exposure latitude of this sometimes tempermental emulsion. A good 2-stop Neutral Density Gradient and occasional use of a 81A warming filter can help coax light into cooperating with Velvia, producing very pleasing results.
A big thanks to Richard Photo Lab in California for their excellent work developing […]
Recently I read a blog post from someone claiming Mirror-Up shooting was a hoax. A waste of time, something camera manufacturers dreamed up as way to add a new feature to the camera and charge more for it. A “Emperor’s New Clothes” hoodwink, if you will. Well, take a look at this:
It’s slow motion video of the venerable Nikon F2 at 1/2000 sec. and the lens stopped down to ƒ16. If there were ever any doubt in anyone’s mind whether the mirror’s movement has the ability to create vibrations inside the mirror box this should answer the question once and for all.
To those who don’t know what Mirror-Up shooting is, please visit this page for a more detailed explanation. Essentially, M-Up is a feature included in certain cameras allowing a 2-step shutter release. The first step raises the Mirror […]