This category is where things I’m not sure where else to categorize them will land. Or, if I’m in a hurry and don’t have time to think through something properly before posting, it will default to this category and I’ll deal with it later. Sloppy I suppose, but that’s how things some time roll.
Even though the shutter is rated to an astounding 150,000 actuations (over 4,100 rolls of film), after 7 years of moderate use I decided it was time to send in the Nikon F6 for servicing, while I felt I stood a reasonably good chance of still getting parts. While in the shop it made sense to have the non-Ai modification to the lens mount made to allow those old, beautiful non-Ai lenses to be used by the camera. This post chronicles the process from a Nikon Professional Services (NPS) member's point of view.
Recently I read a blog post from someone claiming Mirror-Up shooting was a hoax. A waste of time, something camera manufacturers dreamed up as way to add a new feature to the camera and charge more for it. A "Emperor's New Clothes" hoodwink, if you will. Well, take a look [...]
Meta35: embed EXIF data in film-shot images, tweak Custom Setting Menus. Gallery6 Things I Love About Shooting the F6, Accessories, Custom Settings Menu (CSM), From the Past, General Information, Technical Features, Uncategorized
Have you ever wondered how to embed EXIF data into your film-shot and computer scanned images? Are you one of the newly enlightened 35mm film shooters recently in possession of your dream, quasi-vintage film camera (think Nikon F100, Nikon F5, Canon EOS-1V or Minolta Maxxum) - but frustrated trying to figure out how to tweak its Custom Settings exactly how you want? You may have given up, resigning yourself to thinking, "some day someone will figure this out." Well, that someone is Promote Systems, and thanks to the software company in Houston, Texas, your wait is over. Enter meta35, a new product allowing you to capture EXIF data your camera has generated, import it into the computer, and embed it into the specific frame of film it corresponds to. Not only that, but Meta35 allows interaction with these old, beautiful film cameras Custom Setting Menus; tweak them, then re-export to the camera. Quickly, easily, and without any cryptic cheat sheets.
Memphis has been the subject of many a discussion between my son and I for a few years now. We love road trips and just being in the car together so when ever we're hunting for a just barely out of reach, crazy destination to spontaneously shoot off to in the middle of the night (from Colorado) - Memphis has been a part of that discussion.
In years past my eyes have been focused upward, searching the skies above for the real Fourth of July photograph. This year I chose instead to focus on what’s right in front of me.
John Szarkowski writes in the introduction to William Eggleston's opus, Guide, "It's not easy for the photographer to compete with the clever originality of mindless, mechanized cameras, but the photographer can add intelligence. By means of photography one can in a minute reject as unsatisfactory ninety-nine configurations of facts and elect as right the hundredth. The choice is based on tradition and intuition–knowledge and ego–as it is in any art, but the ease of execution and the richness of the possibilities in photography both serve to put a premium on good intuition."
An honest image means no trespassing. It means closing gates behind you and honoring the mandate to stay on the trail - and missing the shot you want because you did. An honest image begins an hour before sun up and ends an hour after sun down. It means a last tilt of the thermos of tepid, too-strong coffee for something to drink at the end of the day. An honest image means washboard roads, AM talk radio, bugs in the radiator and chipped windscreens. It means nearly running out of fuel and paying too much a gallon at the nearly closed, sporting good-convenient store-fast-food chain-delicatessen-truck stop-fuel mart that smells like burnt coffee and is out of TP.