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Servicing the Nikon F6, part 2

This is a short follow up on the previous post from late 2015, Servicing the Nikon F6. The executive summary is, I continue to be impressed with Nikon Service. Here’s why…

After receiving my F6 back from a refresh late November, 2015 I was very pleased. The camera felt and sounded like new, and aside from the minor wear and tear scars I’ve provided – looked like new too. The Non-AI modification worked beautifully and the ancient, non-AI lenses looked and felt great on the camera. I was tickled.

I ran a few rolls through just to test and sure enough, all was well. They even figured out how to replace the internal battery without resetting the camera’s roll count, and preserved the rolls of shooting data I’d forgotten to download before sending it in.

After service there’s a 180 day window allowing you to send the […]

By |May 24th, 2016|Uncategorized|

Pure Film

A few weeks ago I did something I’ve been meaning to do for years: began developing my own black and white film again. After a 30+ year hiatus, the time had finally come.

Up until last year I’d been fortunate enough to have one of the best pro film labs in the country only minutes away. I’d always told myself when they shut down, I’d begin. Due to a variety of unfortunate circumstances that time came last year, but I held on, continuing to search for a suitable alternative for the next several months. A few weeks ago I finally said Uncle and put in an order to B&H.

I suppose there are reasons that seem suitable at the time why we do things like wait… and it’s easy to second guess decisions in hind-site. But I’ll say this: I wish I’d done […]

Nikon F6: Good Design – Long Life Design Award

This surfaced the other day and I thought it was worth a mention on the F6 Project. The F6 was won the Good Design Long Life Design Award. What’s noteworthy about this is it’s awarded 11 years after the camera was initially released in 2004. This feeds well into the “Longevity” point made in a previous post.

http://www.g-mark.org/award/describe/43350

from their web site:

“The Good Design Award is a comprehensive design-promotion system that picks good design out of a variety of unfolding phenomena, and aims to enrich our lives, industries, and society as a whole by highlighting and celebrating these works. It is hosted by the Japan Institute for Design Promotion, a public interest incorporated foundation. It’s precursor, the Good Design Selection System (or G Mark System), was founded in 1957 by the Ministry of International Trade and Industry (the current Ministry of […]

By |October 8th, 2015|Uncategorized|

Heavy Metal: The Nikon F2

The valid question is – what does this have to do with the F6. The answer is, nothing at all. But trust me, it’s a worthy diversion.
Intro
If you’re interested in the F6, you should also take a serious look at the F2 line up. As with other “last iterations” the F2 is considered by many the finest SLR Nikon – or anyone else for that matter – has ever built. It’s also been labeled the “most beautiful” camera ever built by some. What I mean by “last iteration” is this: in manufacturing terms the final version of something before a large-scale change is often times the best, most refined, successful version of that something. It leverages all the knowledge and experience the manufacturer has learned up until that point and rolls it into one, final masterpiece. In the case of […]

By |October 7th, 2015|Accessories, From the Past, Nippon Kogaku, Uncategorized, Vintage Nikon|

Mirror-Up Shooting: It’s For Real

Recently I read a blog post from someone claiming Mirror-Up shooting was a hoax. A waste of time, something camera manufacturers dreamed up as way to add a new feature to the camera and charge more for it. A “Emperor’s New Clothes” hoodwink, if you will. Well, take a look at this:

It’s slow motion video of the venerable Nikon F2 at 1/2000 sec. and the lens stopped down to ƒ16. If there were ever any doubt in anyone’s mind whether the mirror’s movement has the ability to create vibrations inside the mirror box this should answer the question once and for all.

To those who don’t know what Mirror-Up shooting is, please visit this page for a more detailed explanation. Essentially, M-Up is a feature included in certain cameras allowing a 2-step shutter release. The first step raises the Mirror […]

The 440

A few weeks ago I needed to get out – as in far away from the computer – in a big way. The weather wasn’t good along the Front Range and checking the iPhone confirmed pretty much any place within easy driving distance was experiencing the same. It looked like the only thing to do was out drive the front. I fueled up, stopped for the requisite Americano and headed into the rain not knowing what the day held. Not knowing what lie ahead isn’t just part of the fun – it’s the reason I go.

There are a number of different ways to connect with my favorite haunts – North Park/Southern Wyoming. Memorial Day this year marked the opening of Trail Ridge Road, which connects the front range with the deeper mountains through Rocky Mountain National Park. It was […]

By |July 15th, 2015|4042n, Destinations, Film Emulsions, General Information, Road Trippin', Uncategorized|

Santa Fe and Vintage, Nikon Film Bodies, chapter 2

Chapter 2: San Luis, Colorado to Santa Fe, New Mexico

One of my great joys in life is driving; to simply wander and explore with a camera; and once in a while to answer that perennial question – what’s down this road, or around the next bend? The drive from San Luis, Colorado to Taos, New Mexico has to be one of the most beautiful drives. Ever. When we lived in Santa Fe returning to Colorado was always a highly anticipated event – largely for the road trip. Sure, you can hop on I-25 and be door-to-door a few minutes faster, but that’s rarely the point.

159 south out of San Luis turns into 522 as you cross the New Mexico state line. The route is dotted with piñon pines – like beard stubble on a giant face – framing broad, sweeping vistas. Active skies hover weightlessly above distant […]

By |November 22nd, 2014|Destinations, From the Past, Places, Technical Features, Uncategorized, Vintage Nikon|

Santa Fe and Vintage, Nikon Film Bodies, chapter 1

In each blog post I attempt to roll in an application to the F6. The F6 is, after all, the reason for this site – and why so many people come here: to read about it. For this series of posts in the spirit of “try something new… you might like it,” I’m going to try something a little different: I’m going to add the Nikon F4s into the mix.

SANTA FE – If heading to the art epicenter of the country with two, vintage Nikon film camers isn’t on every photographer’s bucket list – you need to re-write your bucket list. I’m fortunate to live within an easy day’s drive – and have the benefit of history and knowledge of such a place. This provides new depth and opportunity with each visit. On our latest sojourn to “The City Different” of course I shot the F6, […]

By |October 31st, 2014|Destinations, From the Past, Places, Uncategorized, Vintage Nikon|

Pushing Kodak Ektar 2 Stops

As it turned out, shooting Ektar at ISO400 - while not something I'd have thought to do intentionally - produced great results. It allowed working with higher shutter speeds to combat a slight breeze shifting the flowers ever so slightly. Pushing Ektar also amplified the natural tendencies of this already vivid, contrasty film.

By |August 27th, 2014|CLS (Creative Lighting System), Film Emulsions, Uncategorized|
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