New Mexico, 2015
Sometimes returning to your roots is a good thing. When we lived in Santa Fe from the mid 90’s ’til 2000 I was in a different phase of photography. In recent years I’ve enjoyed returning to this beautiful country with a better understanding of light – and how to coax more out of a frame of film with subtle adjustments here and there. Below are a few recent images from our last visit to Santa Fe, the F6 loaded with Velvia. The meter in the F6 is a perfect companion to the narrow exposure latitude of this sometimes tempermental emulsion. A good 2-stop Neutral Density Gradient and occasional use of a 81A warming filter can help coax light into cooperating with Velvia, producing very pleasing results.
A big thanks to Richard Photo Lab in California for their excellent work developing all the film from this trip. It was the first time I’ve used Richard but not the last. They handled a large, complex order well and all the films were properly labeled and processed.
Chamisa Sunrise, Santa Fe, New Mexico October 2015; 1/10@F11; Velvia 50; Nikkor 28-70 2.8ED @45mm, 2-Stop ND Gradient for sky.
Sandia Sunrise, Santa Fe, New Mexico, October 2015. A 2-stop ND Grad helped the sky stay vivid while allowing a little more light to hit the piñon’s in foreground. 1/1.6 @ F11; Velvia 50; Nikkor 28-70 2.8ED @ 70mm. A nice thing about traveling and shooting sunrise late in the year is how late the sun comes up. This image was made just before 7am.
Gasoline Alley, Embudo Station, New Mexico (2015); 1/50@F7.1; Velvia 50; 28-70 2.8ED @35mm
Eagle Nest, New Mexico, October 2015. 81A (mild) warming filter kept sometimes harsh UV’s out of the way preserving the golden hour tone. 1/80@F8; Velvia 50; Nikkor 28-70 2.8ED @ 42mm, Tiffen 81A warming filter.
“It’s A 8” Embudo Station, New Mexico October 2015. 1/100@F6.3; Velvia 50; Nikkor 28-70 2.8ED @ 48mm. No filtration.
Gasoline Alley, Embudo Station, New Mexico (2015); 1/160 @ F5.6; Velvia 50; Nikkor 28-70 2.8ED @ 28mm