Nikon F6

Night Vision (sort of); or Custom Setting B5 (Extended Shutter Speeds)

Out of the box the F6 is set to display possible shutter speeds from 1/8,000 of a second to 30 seconds. After 30 seconds the camera has the customary “bulb” setting, allowing you to trip the shutter manually (with something like the MC-30 cable release) for as long an exposure as you can hold the shutter release down for.

Custom setting B5 in the CSM provides the capability to extend shutter speeds beyond the default 30 seconds, unlocking extended shutter speeds before reaching the Bulb setting. When this option is enabled, after 30 seconds, you’ll see 40 seconds, then 50 seconds, etc. all the way up to 30 minutes before you reach “bulb.”

For some photographers this is an advantage if you do a lot of night shooting, for example, and exposures typically run between 30 seconds and 30 minutes. For others that […]

Nikon F6 + CLS (Creative Lighting System)

One of the key attributes of the F6 is the circuitry contained to run the Nikon Creative Lighting System, or CLS. While common among digital cameras, no other Nikon film SLR contains this ability. If you're not using your F6 + CLS you're missing out on one of the wonderful features that make the F6 unique.

Road Trip: Valley of the Gods National Monument, Utah

Good by ol’ desert rat, Ya half crazy wild cat. You knew where it was at, what life’s all about. Ya saver of catalogs, King of the prairie dogs, success is survival and you toughed it out, You toughed it out.

Grand Staircase, Escalante National Monument, Utah

I first visited the northern region of the Escalante Staircase area years ago after reading an article on the Burr Trail -but that’s another story. More recently (back in 2007) I hit it from the south, having come up one night from Flagstaff and checked into a hotel in Page, Arizona just off Hwy 89. There was a large canvas hanging on the wall of the lobby and I asked the woman behind the desk where it was from. “Just up the road,” she said, “about 20 miles. It’s not marked or anything, you just pull over the start walking.” So that next day we did just that and what do you know – we found it.

This past trip to Page we thought we’d try to find it again. One late afternoon we set out armed with just a memory and full […]

New Mexico, 2015

Sometimes returning to your roots is a good thing. When we lived in Santa Fe from the mid 90’s ’til 2000 I was in a different phase of photography. In recent years I’ve enjoyed returning to this beautiful country with a better understanding of light – and how to coax more out of a frame of film with subtle adjustments here and there. Below are a few recent images from our last visit to Santa Fe, the F6 loaded with Velvia. The meter in the F6 is a perfect companion to the narrow exposure latitude of this sometimes tempermental emulsion. A good 2-stop Neutral Density Gradient and occasional use of a 81A warming filter can help coax light into cooperating with Velvia, producing very pleasing results.

A big thanks to Richard Photo Lab in California for their excellent work developing […]

4042n: Poudre Canyon, Cameron Pass, Jackson County, Rand, Walden

From a recent 4042n jaunt to one of my favorite stomping grounds: North Park, Colorado. North Park is still old Colorado and I like that very much. Recent rains and early spring conditions (March 26) made for muddy travel but no catastrophies were had.

You’ll notice most of these images weren’t made with the F6. This may seem conspicuous to some, given the title of this web site. Last year I was fortunate enough to reacquire a beautiful F4s, my previous one sold shortly after buying the F6 in 2008. Though it was a fine camera, mine had become pretty beat up and I knew I’d add a nicer copy back to the line up some day. That day came last September and I’ve enjoyed working with it right beside the F6 ever since.

There are a few small usability issues […]

By |June 3rd, 2015|4042n, Destinations, Places, Vintage Nikon|

Santa Fe and Vintage, Nikon Film Bodies, chapter 2

Chapter 2: San Luis, Colorado to Santa Fe, New Mexico

One of my great joys in life is driving; to simply wander and explore with a camera; and once in a while to answer that perennial question – what’s down this road, or around the next bend? The drive from San Luis, Colorado to Taos, New Mexico has to be one of the most beautiful drives. Ever. When we lived in Santa Fe returning to Colorado was always a highly anticipated event – largely for the road trip. Sure, you can hop on I-25 and be door-to-door a few minutes faster, but that’s rarely the point.

159 south out of San Luis turns into 522 as you cross the New Mexico state line. The route is dotted with piñon pines – like beard stubble on a giant face – framing broad, sweeping vistas. Active skies hover weightlessly above distant […]

By |November 22nd, 2014|Destinations, From the Past, Places, Technical Features, Uncategorized, Vintage Nikon|

Santa Fe and Vintage, Nikon Film Bodies, chapter 1

In each blog post I attempt to roll in an application to the F6. The F6 is, after all, the reason for this site – and why so many people come here: to read about it. For this series of posts in the spirit of “try something new… you might like it,” I’m going to try something a little different: I’m going to add the Nikon F4s into the mix.

SANTA FE – If heading to the art epicenter of the country with two, vintage Nikon film camers isn’t on every photographer’s bucket list – you need to re-write your bucket list. I’m fortunate to live within an easy day’s drive – and have the benefit of history and knowledge of such a place. This provides new depth and opportunity with each visit. On our latest sojourn to “The City Different” of course I shot the F6, […]

By |October 31st, 2014|Destinations, From the Past, Places, Uncategorized, Vintage Nikon|

Pushing Kodak Ektar 2 Stops

As it turned out, shooting Ektar at ISO400 - while not something I'd have thought to do intentionally - produced great results. It allowed working with higher shutter speeds to combat a slight breeze shifting the flowers ever so slightly. Pushing Ektar also amplified the natural tendencies of this already vivid, contrasty film.

By |August 27th, 2014|CLS (Creative Lighting System), Film Emulsions, Uncategorized|

Memphis in the Meantime

Memphis has been the subject of many a discussion between my son and I for a few years now. We love road trips and just being in the car together so when ever we're hunting for a just barely out of reach, crazy destination to spontaneously shoot off to in the middle of the night (from Colorado) - Memphis has been a part of that discussion.

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